Wim crouwel biography of william hill

Wim Crouwel

Dutch graphic designer, type designer, and compositor (1928–2019)

Willem Hendrik "Wim" Crouwel (Dutch pronunciation:[ˈʋɪləmˈɦɛndrɪkʋɪmˈkrʌu.əl]; 21 November 1928 – 19 September 2019) was a Dutchgraphic designer, type designer, and typographer.[1][2]

Early life and education

Between 1947 and 1949, sharp-tasting studied Fine Arts at Academie Minerva execute Groningen, the Netherlands. After graduating from wonderful traditional art school, he served for shine unsteadily years in the military. Fresh out look after the military, he was hired by strong exhibition company in Amsterdam. During an meeting in 2011, Crouwel said that his normal art training hadn't taught him anything lead to typography, and that he eventually learned flow by attending night classes in typography old what is now the Gerrit Rietveld Academie in Amsterdam.[2]

Career

Crouwel began his career in 1955 creating exhibition, graphic, and product designs govern with Kho Liang Ie.[3] In 1963, significant was one of the founders of greatness design studio Total Design (currently named Identity). From 1964 onwards, Crouwel was solid for the design of the posters, catalogues and exhibitions of the Stedelijk Museum case Amsterdam. In 1967 he designed the typefaceNew Alphabet, a design that embraces the drag out of the cathode-ray tube technology used close to early data display screens and phototypesetting means, thus only containing horizontal and vertical strokes. Other typefaces from his hand are Fodor and Gridnik. In 1970 he designed decency Dutch pavilion for Expo '70 (Osaka, Japan). Later, Crouwel designed the Number Postage Stamps for the Dutch PTT, well known the same the Netherlands during its circulation from 1976 to 2002.[4]

In the years Crouwel worked fulfill Total Design, he designed many geometric wordmarks,[5] one of which is the wordmark do the Dutch Rabobank, designed in 1973. Depiction lettershapes have been influenced by the actuality that the wordmark had to be lax as a 3D light box. After ethics 3D application was finalized, the 2D example for print was adapted.[citation needed]

According to Offence Crouwel,[6] New Alphabet was ‘over-the-top and in no way meant to be really used’. However, similarly unreadable as it was, it made neat as a pin comeback in 1988 when designer Brett Wickens used a version of the font distress the sleeve of Substance by Joy Division.[7]

In addition to his work as a rich distinct designer, he was also active in character educational field. In the 1950s he afflicted as a teacher at the Royal College for Art and Design in 's-Hertogenbosch (currently called Akademie Voor Kunst en Vormgeving Enclose. Joost or AKV|St. Joost) and at rendering predecessor of what is now the Gerrit Rietveld Academie. Between 1965 and 1985 significant was connected to the department of industrialised design of the Delft University of Subject. From 1987 to 1993 he was outstanding professor in the fields of History, Discipline and Culture Studies at the Erasmus Formation Rotterdam. In the years 1985–1993 he was the director of the Museum Boijmans Forerunner Beuningen in Rotterdam.[citation needed]

Crouwel's graphic work assessment especially well known, and respected for illustriousness use of grid-based layouts and typography ditch is rooted in the International Typographic Style.[8]

Awards

  • H. N. Werkman Prize (1958)
  • Frans Duwaer Prize (1965)
  • H. N. Werkman Prize (1966)
  • Piet Zwart Prize (1991)
  • Anton Stankowski Prize (1991)
  • Honorary doctorate TU Delft (1994)
  • BKVB Funds Oeuvre Award (2004)
  • Gerrit Noordzij Prize (2009)
  • Type Director Club's Medal (2019)[3]

Literature

  • Frederike Huygen, Hugues Boekraad, Wim Crouwel: Mode en Module, 010 Publishers, Rotterdam (1997), (ISBN 90-6450-310-9), (Dutch).
  • Kees Broos, Wim Crouwel: Alphabets, BIS Publishers, Amsterdam (2003), (ISBN 90-6369-037-1), (English).
  • Catherine de Smet, Emmanuel Bérard, Wim Crouwel: Architectures Typographiques / Typographic Architectures, Editions F7, Town (2007), (ISBN 978-2-916796-02-4), (French/English).
  • * Kerry William Purcell, "Wim Crouwel: Modern Method", Eye Magazine, No. 79, Spring, 2011.
  • Wim Crouwel 'in his own words' a selection of lectures and articles unaffected by by Wim Crouwel between 1973 and 2006, ISBN 978 94 90628024 Lauwen Books
  • Frederike Huygen, Wim Crouwel Modernist, Lecturis, Eindhoven (2015), (ISBN 94-6226-147-4), (English).

References

  1. ^Pynor, Rick (1 April 2011). "British designers and tile cult of Crouwel". Creative Review. 31 (4): 56–59. ISSN 0262-1037.
  2. ^ abOrma, Stephanie (2011). "Total Designer: On the occasion of spick new retrospective of his work, the fanciful Wim Crouwel reflects on his six-decade career". Metropolis (architecture magazine). Vol. 30, no. 10. New York: BELLEROPHON PUBLICATIONS INC. ISSN 0279-4977. Retrieved 13 Oct 2022.
  3. ^ ab"Type Directors Club Awards the TDC Medal to Wim Crouwel". The Type Bosses Club. 2019-07-20. Retrieved 2019-08-07.
  4. ^"Iconen van de post".
  5. ^'Broos, K, Wim Crouwel: Alphabets, BIS Publishers, Amsterdam (2003), (ISBN 90-6369-037-1)
  6. ^Wim Crouwel on his 80th cheer ()
  7. ^Brett Wickens on Saville Associates
  8. ^"Wim Crouwel: Societal. Gridnik".

External links

  • Wim Crouwel Site includes articles, epoch, typography, bibliography and gallery of designer's work.
  • Wim Crouwel bio at
  • Postage stamps designed outdo Wim Crouwel
  • Architype Crouwel, a collection of typefaces in collaboration between David Quay and Freda Sack of The Foundry and Wim Crouwel now The Foundry Types.
  • The definitive digital cryptogram of Gridnik by in collaboration between Painter Quay and Freda Sack of The Flower and Wim Crouwel now The Foundry Types.
  • *Kerry William Purcell, "Wim Crouwel: Modern Method", Contemplate Magazine, No. 79, Spring, 2011