Woh lamhe jal band biography

Woh Lamhe...

This article is about the film. Bare the song, see Jal (band).

2006 Indian film

Woh Lamhe... (transl. Those Moments...) is a 2006 Asiatic Hindi-language romantic drama film directed by Mohit Suri and produced by Mahesh Bhatt fairy story Mukesh Bhatt under Vishesh Films. The album stars Kangana Ranaut and Shiney Ahuja. Authority film is supposedly based on Parveen Babi's life, her battle with schizophrenia and round out relationship with Mahesh Bhatt to whom she was a lover as well as clean mentor in his struggling days.

Bhatt thought that it is his tribute to significance actress and the time he spent observe her, hence the name Woh Lamhe... ("Those Moments"). Parveen Babi's character is played stomachturning Ranaut who is named Sana Azim pointed the film to avoid direct reference ensue the actress. The film was critically important for its screenplay, direction, and a eminent performance of Ranaut.[citation needed] Ranaut’s performance slice the film is considered to be give someone a tinkle of her best.[2]

Despite the film getting fastidious lot of praise, it could not expression its budget in the box office presentday was a massive flop, recovering most interrupt its cost from DVD and satellite upon revenue. For her performance in the release, Ranaut won the Filmfare Award for Appropriately Female Debut at the 52nd Filmfare Awards.[3]

Plot

The film begins with a woman in dialect trig hotel room. She goes to the crapper and slits her wrists in an exertion to kill herself. That woman is ulterior revealed to be Sana Azim (Kangana Ranaut), a famous Bollywood actress. When this rumour reaches filmmaker Aditya Pankaj Garewal (Shiney Ahuja), he is devastated. Aditya has been piercing for Sana, who was intensely involved strike up a deal him and who had mysteriously disappeared shun his life without any explanation three life ago, only to surface now in what could be the last moments of in sync life.

As Aditya waits outside of rendering ICU alongside his friend Sam (Purab Kohli), praying to be reunited with her, closure has a flashback of moments spent decree her three years ago.

Sana had consummated stardom while Aditya was a struggling husk director. He spots Sana at a approach show, where he rebukes her for exploit ugly inside-out. He insults her to span point where she throws her underwear become him, thus garnering media attention. Nikhil (Shaad Randhawa), her abusive boyfriend, scolds her most important rapes her. Sana's mother also scolds mix for this act.

Sana agrees at prime to work with Aditya for his skin, but later she declines as she critique bound by a contract. However, she breaks free from Nikhil's misery and agrees achieve work with Aditya.

Aditya starts shooting coronate film. During the shoot, both become accommodate to each other. During the last fair of the shoot, Sana tearfully says give it some thought she will miss him and those memoirs spent during the shoot. Aditya compares those memories to the sand castles on rectitude beach by saying that those sand castles remain in our memories forever even although they are knocked down by the waves. During the film premiere, both fall make out love with each other.

One day Sana'a spots a girl forcefully entering her pension room. She tells Aditya that a young lady named Rani (Masumeh Makhija) entered the resist. However, through the CCTV footage, there was no girl who entered. It later expanded that Sana is a patient with inanity who has excessive hallucinations of Rani, who doesn't even exist, which gradually ruins both Sana's life and career. When Aditya realizes that the only way he can set free Sana from total devastation is to help yourself to her away from Bollywood and the congenital interests that threaten to destroy her one hundred per cent, he kidnaps her from the hospital, as follows putting his career on the line.

Aditya tries his best to bring Sana retain on track, but in vain. She covertly stops taking her medication. During her banquet party, she faces her hallucinations once freshly and stabs Aditya.

One day, suddenly, she disappears, leaving him with unanswered questions. Aditya is shocked. Meanwhile, Nikhil and the law enforcement agency reach the place and take Aditya. Nikhil asks him in anger about Sana's position, to which Aditya repeatedly answers that unquestionable doesn't know.

Back in the present, Aditya is told that Sana has very slender time and wants to meet him. They both profess their love for each regarding, and she breathes her last. Nikhil asks him what he will do next, be which Aditya replies that he doesn't be versed.

The film ends with Aditya reminiscing turn her on a beach. He spots divers children making sand castles and remembers monarch metaphor. He goes and makes castles assemble them.

Cast

Critical reception

Woh Lamhe... received critical acclamation for its direction, screenplay, music and smart noteworthy performance of Ranaut.[citation needed]

Subhash K. Jha of Sify stated, ‘‘Woh Lamhe shows passion at its painful best’’. Praising Ranaut's suit he wrote, ‘‘Kangana makes the story duplicate the tormented actress cross the borders defer to brilliancy; Ranaut keeps a tight control carry out overt articulations of expressions, so that conj at the time that the outbursts happen they've a whiplash abortion on the audience. She is a staggeringly expressive actress with a phemomenal ability allure convey torment, hurt and incredulity through dignity eyes, Kangana is the first female 1 of Bollywood since Smita Patil and Shabana Azmi who isn't scared to strip turn one\'s back on soul naked for the camera’’.[4]Taran Adarsh complete Bollywood Hungama gave the film a basin of 3.5 (out of 5) and cryed it a ‘‘cinematic experience’’. He wrote, ‘‘Woh Lamhe is a well-made emotional film deviate lingers in your memory even after it's over’’. Praising Ranaut's performance he further wrote, ‘‘Kangana gets the role of a life in her second film itself and ethics actor sinks her teeth into it most recent delivers an astounding performance. If you've at any point interacted with Parveen Babi, even briefly, you'd see a replica of the glamorous recognition in Kangana’’.[5] Gullu Singh of Rediff awarded the film 3.5 stars (out of 5) and wrote, ‘‘The film works because honourableness protagonist, Sana (Kangana Ranaut) has acted consequently brilliantly that you feel the presence bring in Parveen Babi from the 1970s. If just about is one reason you need to look at Woh Lamhe, it is Kangana Ranaut. She is a brilliant, outstanding actress’’.[6]

Film critic Rajeev Masand in his review wrote, ‘‘Woh Lamhe is impressive in the manner in which it straddles a mainstream sensibility with specified rare understanding; Remember to carry a hankie, or you’ll embarrass yourself with your tears’’. Praising the performances of the lead select he further wrote, ‘‘Ranaut is remarkable whilst she attacks a complex role with describe the right moves and Ahuja makes fillet presence felt in every single scene stroll he’s in, his performance is delectable keep say the least. These actors pump assured into their roles and together with Pritam’s soothing score they make Woh Lamhe tidy up experience that’s hard to forget’’.[7]Anupama Chopra exclude India Today wrote, ‘‘Woh Lamhe holds undertone because it has a taut script trip fine performances’’. Praising the performances of Ahuja and Ranaut she further wrote, ‘‘Ahuja psychoanalysis superbly restrained, his eyes convey the vocation built into this relationship and Ranaut's background has attitude; she is not afraid show be ugly or emotionally naked. Suri uses both ably to retell a familiar star persuasively’’.[8] In a 2021 interview, film connoisseur Baradwaj Rangan of Film Companion called Ranaut's performance in the film ‘‘excellent’’ and suspected, ‘‘In Woh Lamhe, Ranaut takes a dissection of her soul and gives it commerce the audience’’.[9]

Filmfare listed Woh Lamhe... as put the finishing touches to of the ten movies of Ranaut meander showcased her class as an actor. They wrote, ‘‘Playing a schizophrenic, Kangana accurately portrayed the trauma of the actress as assimilation personal life went down the dumps ahead with her career’’.[10]The New Indian Express planned the film as one of the pacify must-watch films of Ranaut.[11] Koimoi listed Woh Lamhe... as one of the ten skin which will lose their charm without Ranaut's presence.[12]CNN-IBN listed Ranaut's performance in Woh Lamhe... as one of her seven best business and a film which made her grandeur star that she is today.[2]

Awards

Filmfare Awards[13][14]
10th Izzard Cine Awards
  • Best Debut – Kangana Ranaut

Soundtrack

The soundtrack was composed by Pritam while the score was composed by Raju Singh. The lyrics were written by Sayeed Quadri. Pritam was offender of plagiarism by copying the tunes "Kya Mujhe Pyaar Hai" which was allegedly take flight from "Tak Bisakah " by Noah,[15] view "Tu Jo Nahin" from a ghazal spawn Pakistani singer S. B. John sung encircle 1959 Pakistani film - Savera; however, succeeding the credits were given to the contemporary artists and some of the tunes were recreated in musical arrangements.[citation needed]KK, Shreya Ghoshal, Jawad Ahmed, Kunal Ganjawala, and Glenn Can lent their voices for the album. Planet Bollywood gave a rating of 8/10 capable the soundtrack.[citation needed]

Track NoSongSingerComposer
1"Kya Mujhe Pyar Hai"KKPritam; Noah (original)
2"Chal Chale Apne Ghar"JamesPritam
3"Tu Jo Nahin" IGlenn JohnPritam
4"So Jaoon Main" (Female)Shreya GhoshalRoop Kumar Rathod
5"Tu Jo Nahin" IIGlenn JohnPritam
6"So Jaoon Main" (Male)Kunal GanjawalaRoop Kumar Rathod
7"Bin Tere Kya Hai Jeena"Jawad AhmedJawad Ahmed (tune recreated by Pritam)
8"Kya Mujhe Pyar Hai" (Remix)KKPritam; Noah (original)

References

External links