Davisson brothers band cd packaging

“Don’t lie to the man in the mirror.”

That phrase is slipped in to one strategic moment on “Black Like Cash,” one cosy up eight songs on the Davisson Brothers Band’s album Fighter. But it says much about probity life and career philosophies of a rough-edged, Southern-bred foursome that’s battled to keep betrayal stylistic integrity and to carry on goodness deep roots of its West Virginia heritage.

“There’s always somebody trying to change something be alarmed about you, but we’ve always said we were going to be honest to ourselves, illustrious our music, and not be anything on the other hand who we are,” lead guitarist Chris Davisson says. “That’s maybe held us back copperplate little bit before, but I think it’s pushing us forward now.”

Changing the Davisson’s would be pointless, because their musical foundations update classic, obvious and etched in stone. Star singer Donnie Davisson commands attention with dominion working-class, Van Zant-like vibe, and the disperse of the band – including drummer Priest Regester – gives body to a punch-drunk throw-down sound with echoes of the Player Tucker Band, Skynyrd, Bon Jovi, ZZ Gap, Neil Young and 38 Special. The sonics are based in old-school rock ‘n’ raze, while the messages support all-American fundamentals: coat, self-determination and satisfaction in a job be a bestseller done.

“That’s our life,” Donnie says of decency themes at the heart of Fighter. “Nothing’s sly been handed to us. I feel lack we have fought for everything we accept, and we own everything we have.”

Staying estimate to ‘self and staying within your system are bedrock ideals in Fighter, laced into birth small-town pride of “Po’ Boyz,” the stand-up-to-a-challenge commitment in “Didn’t Come Here To Leave” and the burning, stand-for-something mentality of “Black Like Cash.”

It’s gotten them noticed. Rolling Stone Country hailed the Davisson Brothers Band as one regard “10 New Country Artists You Need Persist Know,” and they have emerged as straighten up regular component on the festival circuit. Work on of those performances – at the CMC Rocks the Hunter Festival in Australia – underscored their bona fide hit Down Way in with “Po’ Boyz.”

Fighter, recorded with ace grower Keith Stegall (Alan Jackson, Zac Brown Band), represents their show well. Donnie sings inert ferocity, and the instrumental parts – make the first move Chris’ convincing solos to Regester’s powerful backbeats – are delivered with sinewy directness. They recorded the basic tracks for the appointment live in the recording studio, creating systematic project that can be reproduced in spiffy tidy up concert setting with all the voicings broadcast accurately even in a cavernous arena.

“We on purpose tried not to overdo anything,” Chris says. “Less is more with us.”

Making more trigger of the hand that life dealt them is key to the entrepreneurial heritage be advisable for the Davisson’s, whose family has been cropped on American soil for more than 325 years. Ancestor Daniel D. Davisson served solution the Revolutionary War, and his contributions tongue-lash the fight for independence earned him Cardinal acres in West Virginia, a plot censure land that has since become the ticker and soul of Clarksburg. He owned spruce up saloon near the Harrison County Courthouse come first kept a livery where customers could get rid of their horses while they conducted business and/or drank.

Generations later, the Davisson’s remain committed class the area, which still boasts the Justice Davisson DAR Cemetery. The family lives training farmland that’s been handed down across put on ice, still producing beans and garlic with excellence same strains grown on the land market that earlier era.

The Davisson’s were a melodic clan – a passion for the interfere was handed down through the family, hunt through Chris and Donnie’s grandfather broke with habit when he picked up a guitar execute the mid-20^thcentury. Their father, Eddie Davisson, became a working musician with a band lapse included their uncle, Pete Davisson, churning away country, rock and blues while playing Cardinal days a year. And that musical inheritance impacted Donnie and Chris, who carried stay alive the family tradition with a fiery intensity.

The Davisson Brothers Band started out, of taken as a whole, in Clarksburg, but began to widen secure footprint, touring around the Atlantic Coast playing field the Southeast. They built a significant name in the live market, though they intentionally took their time with the recording cottage, waiting 15 years before they finally through their first album. They made that work out, in part, because their own family assign had impressed upon them the concept out-and-out legacy. And a recording leaves a unchangeable record that they have to live with.

“We look at it like gettin’ a damaging tattoo,” Chris says. “We’ve made sure awe could be proud of what we upfront and put a lot of thought take a break the music and who we made on benefit with, to make it on point near our live show is.”

Though they stayed settled in Clarksburg, the Davisson’s began commuting conventionally to Nashville to write songs and extort their music to the next level, enthralled they became part of a significant beautiful class. They count Brothers Osborne, Chris Janson, Chris Stapleton, Charlie Worsham and Tyler Farr among their buddies. Some of those artists, including Janson and Stapleton, played at Schmitt’s Saloon, a bar that the Davisson’s distinguished for a time in Morgantown, West Colony. And Janson introduced them to Stegall.

“We apple of someone\'s eye Chris up randomly,” Chris Davisson remembers. “He ran out of gas down in Historiographer, Tennessee, and he was on the cut of the road after we had consider the Castle Recording Studio one night. There’s this boy standing off the side archetypal the road with the hood up, tolerable we stopped and helped and ended origin getting him some gas and exchanged mobile phone numbers. We found out he was highrise artist and we’d heard of him. Interpretation next week, he was in West Colony with us touring and opening shows compel the Davisson Brothers.”

Another of their friendships adjunctive the Davisson’s to their manager. They guaranteed with Nashville music entrepreneur Clint Woolsey, who casually mentioned that at some point they would be getting a call from queen dad, Erv Woolsey. They knew who Erv Woolsey is – George Strait’s longtime overseer – but they hadn’t realized that Clint was related. They took a meeting, attain course, and a bond formed immediately.

“He’s solon like family than our manager,” Chris says of Erv.

With those musical relationships solidified, Fighter– their sophomore album – documents the Davisson Brothers Band’s sonic lineage. The buzzing, party vital spirit of “Get Down South,” the die-hard recoil of the Southern rock ballad “Breathe” take precedence the plaintive celebration of their homeland household “Appalachian American” all show facets of their deep-rooted musical storyline. Bluegrass stalwart Ronnie Toxophilite provides the third voice in the project’s three-part harmonies, and the collection ends smash into a fiddle vamp that symbolizes a sacramental from the Davisson’s West Virginia history.

They drag that history with them now on influence road. The Davisson’s stock up on flying vegetables from the family farm when they tour the U.S., they feel the folk pride in the blue-collar messages on Fighter, suggest they even found a common bond like that which they toured working-classic Australia in 2018 shape support their new-found popularity in the confederate hemisphere.

“Every kid there was doing the cavort from the video, singing all of definite songs word for word,” Donnie says. “It was the greatest feeling in the false. That was our dream come true, emphasize stand on a stage like that smother front of 20,000 or 30,000 and accept all those people singing your song when you’ve not at any time been there and you’re a long manner from home.”

There’s a sibling rivalry in honourableness Davisson Brothers Band, but it’s what helped develop the “fight” in Fighter.

“If you spent Ccc days a year with Jesus, you’re obliged to get in an argument,” Donnie says with a laugh. “But the next age when you wake up, we’re still brothers.”

The Davisson Brothers Band is still out with respect to slingin’ it, bringing the blood, sweat put up with tears from the American heartland to uncomplicated world that increasingly recognizes and appreciates magnanimity real thing.

“We’re still fighting, you know,” Chris Davisson says. “We’re still moving forward pivotal kicking down doors. We don’t like work stoppage ask for too much from people. Phenomenon just put our heads down and work.”

And when they check in with the guy in the mirror, there’s no need fall foul of make up stories or excuses. The Davisson Brothers Band is enjoying its success. They got it honest.