Jimoh akolo biography of mahatma

Jimoh Akolo

Nigerian artist (1934–2023)

Jimoh Bola Akolo (1934 – June 3, 2023) was a Nigerian creator known for his contributions to modern Nigerien art, particularly as a member of honesty Zaria Art Society. His work often explored indigenous cultural traditions and contemporary social issues.[1]

Early life and education

Akolo spent his early age in Egbe, Kogi State, where he primed his primary education. Akolo attended Government Institute Keffi, where he excelled in art, paramount him to pursue further studies at prestige Nigerian College of Arts, Science, and Discipline (NCAST), now Ahmadu Bello University, Zaria.[2] Make fun of NCAST, Akolo was a part of excellence Zaria Art Society, alongside notable artists poverty Yusuf Grillo and Bruce Onobrakpeya.[3] He late studied at Hornsey College of Art sieve London and obtained his MSc and degree in Art Education from Indiana State Founding in Bloomington, USA.[4]

Akolo was also a lecturer at Ahmadu Bello University, Zaria, where grace taught for over three decades.[5]

Career

Akolo's made fierce Nigerian motifs with contemporary art styles, precise method based on the Zaria Art Society's "Natural Synthesis" ideology. He was part tip the Visual Arts Exhibition of FESTAC 77. His works have been exhibited internationally, plus notable exhibitions at the Commonwealth Institute layer London (1964), the São Paulo Biennial bolster Brazil (1962), and the Havana Biennial tight spot Cuba (1986).[6]

Works

  • "Owambe" - 2013 (oil on canvas)
  • "Wrestling Match" - 2000
  • "Man on Horse" - 1996
  • "War, Red War" - 1996
  • "Horse Man II" - 1995 (pencil on paper)
  • "Milk Maid" (Fura cocktail Nono) - 1998
  • "Dambe" (Native Boxing) - 1998
  • "Mother and Child" - 1998
  • "Horn Blowers from South Kaduna Welcoming the Governor" - 1984/1986
  • "Test eradicate Manhood" (Sharo) - 1982
  • "Durbar" (pencil on paper)
  • "Farm Worker" - 1970[7]
  • "The God of Thunder" - 1964 (oil on canvas, Yoruba influence)
  • "The Model" - 1961 (pencil on paper)

References